You must join the virtual exhibition queue when you arrive. If capacity has been reached for the day, the queue will close early.
Learn more
Jump to content tickets Member | Make a donation
- The Collection
- The American Wing Ancient Near Eastern Art Arms and Armor The Michael C. Rockefeller Wing Asian Art The Cloisters The Costume Institute Drawings and Prints Egyptian Art European Paintings European Sculpture and Decorative Arts Greek and Roman Art Islamic Art Robert Lehman Collection The Libraries Medieval Art Musical Instruments Photographs Antonio Ratti Textile Center Modern and Contemporary Art
Crop your artwork:
Scan your QR code:
Gratefully built with ACNLPatternTool
Pablo Picasso Spanish
On view at The Met Fifth Avenue in Gallery 828
Picasso painted this work, one of his best-known neoclassical pictures, upon his return to Paris after a summer sojourn in Cap d'Antibes. There, he and his wife, Olga, socialized with the charismatic American expatriates Gerald and Sara Murphy. Because Sara Murphy had beautifully regular features, some writers believe that this canvas is a portrait of her. However, photographs that Picasso took of Olga posing in front of related classical heads demonstrate that at least she thought they were depictions of her.
This picture belonged to the New York collector Lillie P. Bliss, one of the founders of the Museum of Modern Art. She bequeathed the painting to the Modern, from whom The Met purchased the work in 1951 as part of a cooperative agreement (1947–53).
Open Access
As part of the Met's Open Access policy, you can freely copy, modify and distribute this image, even for commercial purposes.
API
Public domain data for this object can also be accessed using the Met's Open Access API.
- Download image
Due to rights restrictions, this image cannot be enlarged, viewed at full screen, or downloaded.
Artwork Details
Use your arrow keys to navigate the tabs below, and your tab key to choose an item
Title: Woman in White
Artist: Pablo Picasso (Spanish, Malaga 1881–1973 Mougins, France)
Date: 1923
Medium: Oil, water-based paint, and crayon on canvas
Dimensions: 39 × 31 1/2 in. (99.1 × 80 cm)
Classification: Paintings
Credit Line: Rogers Fund, 1951; acquired from The Museum of Modern Art, Lillie P. Bliss Collection
Accession Number: 53.140.4
Rights and Reproduction: © 2024 Estate of Pablo Picasso / Artists Rights Society (ARS), New York
Learn more about this artwork
Timeline of Art History
Essay
Pablo Picasso (1881-1973)
Chronology
Iberian Peninsula, 1900 A.D.-present
Museum Publications
The Metropolitan Museum of Art: Masterpiece Paintings
The Metropolitan Museum of Art. Vol. 8, Modern Europe
Picasso in The Metropolitan Museum of Art
Painters in Paris, 1895–1950
French Paintings: A Catalogue of the Collection of The Metropolitan Museum of Art. Vol. 3, Nineteenth and Twentieth Centuries
Art = Discovering Infinite Connections in Art History
Related Artworks
- All Related Artworks
- In the same gallery
- By Pablo Picasso
- Modern and Contemporary Art
- Canvas
- Crayons
- Oil paintings
- Paintings
- From Europe
- From Spain
- From A.D. 1900–present
Seated Woman with a Mandolin
In the style of Pablo Picasso (Spanish, Malaga 1881–1973 Mougins, France)
1901–73
Venus and Cupid
Pablo Picasso (Spanish, Malaga 1881–1973 Mougins, France)
1949
Theater or Television: Cape and Sword (Théâtre ou télévision: Cape et épée), from Suite 347
Pablo Picasso (Spanish, Malaga 1881–1973 Mougins, France)
1968
Head of a Woman
Pablo Picasso (Spanish, Malaga 1881–1973 Mougins, France)
1921
At the Lapin Agile
Pablo Picasso (Spanish, Malaga 1881–1973 Mougins, France)
1905
Resources for Research
The Met's Libraries and Research Centers provide unparalleled resources for research and welcome an international community of students and scholars.
The Met Collection API is where all makers, creators, researchers, and dreamers can connect to the most up-to-date data and public domain images for The Met collection. Open Access data and public domain images are available for unrestricted commercial and noncommercial use without permission or fee.
Feedback
We continue to research and examine historical and cultural context for objects in The Met collection. If you have comments or questions about this object record, please complete and submit this form. The Museum looks forward to receiving your comments.
Modern and Contemporary Art at The Met
The Met's engagement with art from 1890 to today includes the acquisition and exhibition of works in a range of media, spanning movements in modernism to contemporary practices from across the globe.